A twisted and cerebral horror masterpiece.
Rarely are horror films this effective. The Babadook sets out to do a few things, and nails every single one of them. It curls toenails, dries mouths, opens eyes. It is legitimately one of the genres best entries in over a decade.
The first reason for this masterpieces effect is the phenomenal performance by Essie Davies. She dominates the screen throughout and presents fragility, doubt, menace and realism in everything she does. We relate with everything she does and thinks (we delve deeply into her psyche through use of dream sequences) and are driven to to shivering fright as the horrors unfold around her. In conjunction with this career making performance is Noah Wiseman, portraying a young boy haunted by his separation from others and his mother's guilt and fear. He is believably and highly likable in a part that so easily could have failed or become overbearing. Instead of this however, he brings a sense of dread and danger to the scenario by his vulnerability and sympathetic mannerisms.
The director has control over her atmosphere to a level that would impress Kubrick or Romero, it is a truly staggering achievement in modern horror. The beautifully washed-out set design, the prevalent shadows and the careful lighting. I particularly praise the shots of barren trees against the stark white sky, it was a poignant source of chills for me and was essential in forming the film's harsh and uninviting world. The film oozes with passion and care, and the atmosphere was clearly the focus of much of these passions.
The Babadook has a refined emotional range rarely seen in lesser horror fare. It brings catharsis, wonder and immense sympathy before the horror begins and creates a fully formed connection with both of the main characters before the true chills begin. The final 20 minute stretch can best be described as a glorious crescendo of various emotions, all with freakish implications and subtexts. You feel like you've entered a fresh layer of Hell, and are overwhelmed with unease and persistent cloying dread.
In conclusion The Babadook stole my heart, before promptly forcing it though the emotional wringer. It should stand as one of THE all time classics and will affect its audience in varied and totally unexpected ways. It is one of the most joyfully surprising film experiences that I have ever had. I hope that every member of this creative team goes on to have sparkling careers of their own.
I would also like to personally thank the Kickstarter contributors for this film's art budget. Thank you for allowing me to experience this cinematic powerhouse in it's full glory.
The first reason for this masterpieces effect is the phenomenal performance by Essie Davies. She dominates the screen throughout and presents fragility, doubt, menace and realism in everything she does. We relate with everything she does and thinks (we delve deeply into her psyche through use of dream sequences) and are driven to to shivering fright as the horrors unfold around her. In conjunction with this career making performance is Noah Wiseman, portraying a young boy haunted by his separation from others and his mother's guilt and fear. He is believably and highly likable in a part that so easily could have failed or become overbearing. Instead of this however, he brings a sense of dread and danger to the scenario by his vulnerability and sympathetic mannerisms.
The director has control over her atmosphere to a level that would impress Kubrick or Romero, it is a truly staggering achievement in modern horror. The beautifully washed-out set design, the prevalent shadows and the careful lighting. I particularly praise the shots of barren trees against the stark white sky, it was a poignant source of chills for me and was essential in forming the film's harsh and uninviting world. The film oozes with passion and care, and the atmosphere was clearly the focus of much of these passions.
The Babadook has a refined emotional range rarely seen in lesser horror fare. It brings catharsis, wonder and immense sympathy before the horror begins and creates a fully formed connection with both of the main characters before the true chills begin. The final 20 minute stretch can best be described as a glorious crescendo of various emotions, all with freakish implications and subtexts. You feel like you've entered a fresh layer of Hell, and are overwhelmed with unease and persistent cloying dread.
In conclusion The Babadook stole my heart, before promptly forcing it though the emotional wringer. It should stand as one of THE all time classics and will affect its audience in varied and totally unexpected ways. It is one of the most joyfully surprising film experiences that I have ever had. I hope that every member of this creative team goes on to have sparkling careers of their own.
I would also like to personally thank the Kickstarter contributors for this film's art budget. Thank you for allowing me to experience this cinematic powerhouse in it's full glory.
Originally posted 28/10/14 on IMDB.com, as part of HALLOWEEN HORROR REVIEWS 2014
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