Sunday 30 November 2014

Vault Reviews: Gone Girl (2014)

Possibly the best film of the year. A masterpiece.


I must point out here that I have not read the original source novel, also I will be extremely careful to avoid any spoilers as this film MUST NOT be spoiled. Aside from that, I feel totally confident in declaring this as the best film I have seen all year. Fincher has crafted one of the all time great thrillers, and has done so in an aggressive and brutal fashion. Although its premature to call it a career best, its fair to say that this film deserves to be in contention for that honor at least.

Firstly, the acting is stellar. I demand an Oscar for Rosamund Pike, for giving the best performance I have seen all year. I will not describe why it is so remarkable, as it is a clue to some of the film's reveals, however you will be shocked suffice to say. Affleck is perfectly cast and works well, playing to his strengths and probably giving the performance of his career. In the supporting cast, Carrie Coon and Kim Dickens are great and I hope they receive more work in the future, possibly even some high profile starring roles. However, better still is Tyler Perry, delivering a shockingly hilarious and fitting performance, showcasing impeccable comic timing and oozing personality in every scene. The film has a cast for the ages, everybody works well and every scene raises the bar further into the stratosphere.

The screenplay is excellent, written by the writer of the book (Gillian Flynn) and containing all the delicacy and detail of a great novel. However with enough of an adaptation to feel naturalistic, its not 2 and half hours of having a novel read out to you, as it easily could have been. It gives the actors all the space and material to show their skill and presence on screen and has a twisted plot line worthy of Fincher.

The cinematography is wonderful. It is shot with the detail and precision of a master, a title which Fincher has more than earned by this stage. Well balanced lighting, a fitting palette, it truly looks perfect. The set design is also perfectly planned and well constructed, encouraging you to look for even the slightest clues in Fincher/Flynn's warped minds. 

Overall, I implore you to watch this brutal and devilishly twisted little number from one of the best collaborations in modern cinema. If Flynn writes every Fincher film in the future, with Pike as the star, then I'd be overjoyed.

Originally posted 14/10/14 on IMDB.com

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